He turned to her as the man went. “Try and forgive me,” he said in a low voice. “It all came tumbling out before I thought what I was saying.” “If you’ll promise to try and get better,” she answered.!

“Yes,” he answered musingly. “It’s your baby face that does the trick. In the ordinary way I should have known you were pulling my leg, and have shown you the door. As it was, I felt half inclined for the moment to reply with some damned silly platitude that would have set all Fleet Street laughing at me. Why do my ‘principles’ interest you?” “But I shan’t see him that, even if I do live,” she went on. “He’ll never be that, without you. And I’d be so proud to think that he would. I shouldn’t mind going then,” she added.

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “It’s just a homely affair,” she explained. She had recovered her form and was now quite the lady again. “Two other guests beside yourself: a Mr. Airlie—I am sure you will like him. He’s so dilletanty—and Mr. McKean. He’s the young man upstairs. Have you met him?” “You will help?” she added, fixing on Joan her great, grave eyes.